WORKSPACEdOUT

[ALL CONTENTS: Copyright, 2006,07 - WORKSPACEdOUT] A COMPENDIUM COMPILED IN CONJUNCTION WITH THE WORKSPACEdOUT ART EXHIBIT - WINTER 2006 Fall 1975 - "I decided to call this Post-Conceptual Social Narrative art making." "Yes, I see," says Dr. Freund,"continue puleze."

Monday, December 11, 2006

As an ugly, or as an expert??


From the Washington Post
December 11, 2006

Van Smith, a costume designer and makeup artist who was the resident "ugly expert" on the films of John Waters, died Dec. 5 at his home in Marianna, Fla., after a heart attack. He was 61.

He "totally understands the look of 'inner rot' that I demand and could come up with the perfect look for each character without my ever having to say a word," Waters wrote in his 1995 book, "Shock Value: A Tasteful Book About Bad Taste."

Smith became a regular part of Waters' film repertory group, Dreamland, starting with "Pink Flamingos" (1972). The movie, starring 300-pound transvestite actor Divine, is about a woman eager to out-filth competitors.

On a constricted budget, Smith found simple ways to make actors look outrageous. He shaved Divine's hairline deep into the actor's forehead to make room for excessive eye makeup and dressed Divine in a fishtail red gown.


The effect, Smith later said, made Divine resemble a cross between busty glamour girl Jayne Mansfield and Clarabell the Clown.

His destructive makeup techniques included using dirt to obscure a natural glow or letting egg white dry on an actor's face, Smith said in "Shock Value."

In "Desperate Living" (1977), he designed a shower curtain dress for actress Liz Renay. In "Cecil B. DeMented" (2000), he put Melanie Griffith in a Chanel jacket that he reformatted with a biker mystique.

Walter Avant Smith Jr. was born Aug. 17, 1945, in Marianna, a Panhandle town where his father was a municipal judge and his mother a bookkeeper.

In 1968, he graduated with a degree in fashion arts from the Maryland Institute College of Art.

At the time, he resided at a Baltimore apartment complex where "everyone lived," Smith told a Waters fan site, referring to those who became fixtures on Waters' film sets.

When he was not sharing Waters' vision of film as "action against good taste," Smith was a New York fashion illustrator, Baltimore antique store owner and Florida animal rescue volunteer.

He also was the creative force behind "The Simply Divine Cut-Out Doll Book" (1983).

More recently, he cared for his mother, Eloise Smith, of Marianna.

She survives him, along with a brother and a sister.

(painting of Will Smith by Worth 1000)

Tuesday, December 05, 2006

ART IS NOT FREE


From the archive:
FEB. 1977 (audio tape)
Your reasons for being here may be varied: social, professional, skeptical, critical, hostile...You could be here by mistake, with a friend, by force, because of your boredom, because of your interest, to be seen, maybe to see an exhibition of art...You have arrived from many different areas to this specific location, which is the Workspace gallery. Which is not only a location to see this exhibition, but all those before and after. In this context, do you not think that this location has effect on the exhibitions which you come to see here? Outside the fact of the physical location I have just described, this gallery, although it is new, has a certain reputation from preceding exhibitions from which this exhibition cannot escape. At the same time, the next exhibition will be partly framed by this one. All the exhibitions here have the same frame, and this frame is not neutral. But to pretend to escape from these limits is to reinforce the prevalent ideology which expects diversion from the artist. Art is not FREE, the artist does not express himself freely (he cannot). Art is not the prophesy of a free society. Art, whatever it may be, is clearly political. What is called for is an analysis of the formal and cultural limits (and not one or the other) within which art exists. These limits are many and of differing intensities. Although the prevailing ideology and the associated artists try in every way to camouflage them, and although it is to early, the conditions are not meant to blow them all up, but instead the time has come to unveil them.
jc garrett

Monday, December 04, 2006

WORDSPACEdOUT


ACROSS 1.Fluxus acronym 6.Ego(French var.) 9.Hotdog 14.Artist Schwartzkoggler 15.Emote 16.Beat facial feature 18.Shhh! 19.Female artiste 20.Pasta and Art Povera creator 23.Sodomy(slang) 24.The latest 25.Response to "What a bunch of crap." 26.Ancient Bohemian payment system 29.Noted Bomber(pos.) 32.Well hung(coloq.) 34.Bile on ones shoes 35.Purple 36."______ in the back." 39.Orson's last love 40.1970's mental disorder? 42.Former ruler 44.Polish dissident artist 47.olifactory medium 48.Popular NYC swill 49.Womens hair style 50.He lived in Menands 53.Post operative description 56.landmark known as "The hairy arm" 59.Etch 60.Best when frozen? 61.Local Sauce Man 62.Earl Pudney's petname 63.Hegemony 64.Artist/poet Pidgeon 65.Galligan acronym 66.She of De Milo fame
DOWN 1.It hangs out 2.Publisher Willoughby 3.Pungent cheese from Down Under 4.Trojan by product 5.home of Documenta 6.Quid Pro Bono Ami 7.Amy Camus? 8.Fellini's dwarf 9.Sinus residue found on parking meters 10.She blew Mark Greenwald 11.Vito in Do the Right thing 12.Queer 13."Kiss my ____!"(slavic var.) 21."School of _____ Art." 22.Opposite of poozle 26.Miss General ____ 27.Is to Jamaica what the Polka is to Lansingburg 28.Sélavy 30.Broke Dick 31.He danced in the rain 32.Side dish Klimkowski 32.The house band 33.Freihofer mascot 35.He was Patrick then 37.Silent poet who came out half way through 38.It was first est. on this bird 41.He said "The ultimate result of shielding men from the effects of folly is to fill the world with fools." 43.Author of "Great Western Salt Work" 45.soda 46."Where everything is bad, it must be good to know the worst." T.W. 50.The staple of Upstate cuisine 51.There's one in every bar 52."It's Cott to be good" They bottled beer made from this tree. 53.Maker of the famous roast beef sub 54.David Peel said this person smoked dope 55.Price Chopper planted an axe in this part of George Washington 56."___ Voyage" played while we all went to jail 57.female sheep 58.They own the nipper dog

Sunday, December 03, 2006

Compare prices on Art and Madness with BizRate


Men have called me mad, but the question is not yet settled, whether madness is or is not the loftiest intelligence--whether much that is glorious--whether all that is profound--does not spring from disease of thought--from moods of mind exalted at the expense of the general intellect. Those who dream by day are cognizant of many things which escape those who dream only by night - Edgar Allen Poe

Hey J.A.N.
I'm w/you in this depression thing. Was Workspace just some experiment in creative bipolarity? Some people managed to locate their own individual therapies: Kathy and her clay (shit) and Ed and his puppets (penis), while I'm still drinking myself to death (piss) and worthless blog. How's your Oedipal thing going, anyhow?
Love and self loath.
gee




I can't help the things I do
Tho' they might seem strange to you
Got my mind, just spinnin' round
Inside, outside, upside down
There's an art to all this madness
Tho' it seems insane to you

There's a rhyme to all the reason
In everything I do
Have you any imagination
Of what I'm goin' through
There's art to all this madness
I'm just crazy over you

People just can't understand
They don't think I'm a normal man
So tell me why they walk around
Using half of their brain
You tell me now who's insane
There's an art to all this madness
Tho' it seems insane to you

There's a rhyme to all the reason
In everything I do
Have you any imagination
Of what I'm goin' through
There's art to all this madness
I'm just crazy over you

Art of madness
Art of madness, ooh
Art of madness

I went to the doctor the other day
Just to make sure if I was ok
The diagnosis said I was totally insane
I found out the doctor used half of his brain
There's an art to all this madness
Tho' it seems insane to you

There's a rhyme to all the reason
In everything I do
Have you any imagination
Of what I'm goin' through
There's art to all this madness
I'm just crazy over you

Art of madness
Art of madness, ooh
Art of madness


Here's some recent J.H. Prynne:

Profuse reclaim from a scrape or belt, funnel do

axial parenthood block the mustard dots briefly

act forward, their age layer for layer in this

tied-off accession. Appellate at dictum at

its debit resonance fixing prolusion, optic rage

performs even dots right now. This is the top

passion play and counted out for renewal patch,

allergic his dispute braving off. Make a dot

difference, make an offer; these feeling spray-on

skin products are uninhabitable, by field and stream.

Tell us, only for as many as crowd in through

the door to the diluvium, the romance of a new

organic dyscrasia vibrato fretting its early bits

on release on ambit. Early grief, late woe ahead.

This poem appears on the first page of Unanswering Rational Shore, a pamphlet published by an obscure Glasgow press named Object Permanence - "If you'd like to eyeball a 20-page verbal pie that dissolves the difference between nouns and verbs, and speaks of romance and international politics in a single, Kant-defying, garlic-aroma breath (ie Unanswering Rational Shore by J.H. Prynne), send a cheque payable to Peter Manson for £2.50 (P&P included) to Peter Manson Object Permanence, Flat 3/2, 16 Ancroft Street, Glasgow, G20 7HU. Don't forget to include your own address. Sonnet the alarum-scarum!!" - and mailed by the reclusive cult poet to a handful of correspondents. My envelope was franked at Gonville and Caius College on 15 October.

I trust this all looks familiar.
jc garrett